What Are Seven Up Bottles Worth

The Italian actors today are almost all of the caricatures, famous mostly for being considered sex symbol and characters from the rotogravure. Italian actors there are few notable contemporaries, Valerio Mastandrea, Libero Di Rienzo, Luigi Lo Cascio, Elio Germano and Claudio Joey (even if he is given the opportunity to play leading roles). Gianmarco Tognazzi does not play too bad but could do much more and hopes to improve with time, since it is never too late. People who
Raul Bova, Stefano Accorsi, Silvio Muccino, are the antithesis dell'interpretrazione, because in every movie they do not know who play to take a decent condition based on the character I play, showing the accent of their locations where born. The physical aspect is particularly significant for an actor, but this should not be reduced to the binomial beautiful / ugly, but at the same personality, which in turn influences the behavior and then the technique to be used during acting. For example, in Italy we had two great actresses who have not beautiful in terms of exclusively aesthetic, the way of acting, voice and demeanor made them beautiful and hence good. I'm talking about Anna Magnani and Laura Betti. We also had good and aesthetically beautiful actresses at the same time as Virna Lisi and Silvana Mangano. While today, we have Maria Grazia Cucinotta, who can not only interprets the Mediterranean woman showing cleavage bursting crazy viewers, blurring the shapes in the skill. Perhaps a good actress and beautiful at the same time it is on the Italian scene is Anita Caprioli, but very little, although better than nothing. Then we have the classic
leftists Claudio Santamaria, Pierfrancesco Favino and Impacciatore Sabrina, who with her feminism cerchiobottista wants to be seen for what it is: an intelligent person.
merit of this film degradation is the lack of good directors and screenwriters. If in fact we had a time Federico Fellini, today there is Gabriele Muccino, if yesterday was Sergio Leone today we Ferzan Ozpetek, if yesterday we had lunch, today we Violante Placido, who fails in his films does not show her breasts and more. The blame or credit for all of this is to be found even in the Italian film companies, in particular, the largest and most important of all: Medusa Film. This
(controlled by Mediaset group, namely the Cavalier Berlusconi) has as President Carlo Rossella, a man who understands very little of cinema, as it has always proved to be of interest to only know how to party and dress smartly signed. A man from the 70s a militant in the ranks of the current-Soviet Communist Party led by Armando Cossutta, and then switch between those of Forza Italy, since being a Communist was not a fashion after the fall of the Berlin Wall. If this kind of men are placed in key positions, it is normal that over time have a cultural degeneration in any leader, including film. If we had a great time as a producer Dino De Laurentis is normal that were outside the Alberto Sordi, Ugo Tognazzi's, the Gian Maria Volonte, the Vittorio Gassman and Marcello Mastroianni, and not the situation today, Alessandro Gassman, known only to flex his muscles and know nothing else.
The only great Italian actor, now cinquattenne is Fabrizio Bentivoglio, who has style and knows how to play different roles in different films. Person to whom they are not interested in gossip, does not need it, because once the lights go down and the audience applauded, goes quietly to bed without showing signs of impatience that compensates for inability to stay in the spotlight.
And 'maybe this one cause that has made the degradation of Italian cinema, put in positions of command in the field of half specks that this will take work and are not certain people on the basis of merit, because a film is an instrument of culture and education, and if it is contaminated by bad apples always offer a message more negative to the viewer, and in fact the operation seems to be going pretty well.