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Italian singers

The Italian singer-songwriters are so many in circulation, although in hindsight, those who have expressed, written and sung very few songs are really exciting. Italy offers today the scene of the music scene as singer Jovanotti, that Stone, Carmen Consoli, who with his semi hysterical voice sings the same song from 1996 by the same key, and perhaps a tone you see often play guitar and sometimes bass. We indeed have, Tiziano Ferro, which represents and contains in its lyrics, sung out of tune with shrill and varied, the dominant illiteracy that is rampant on the scene.
It 's true, there are singers like George, who is clever and knows how to do his job well, which is not unlike Pausini no icon and it is only an interpreter, but it is little. We even have Elisa, in public if you ask a question has no answer, proving they could not make a meaningful sentence. Of course, a songwriter should respond to the texts and the singing voice that pulls it in, but also the person has, and I am not referring to the aesthetic, but the port, the manners and attitude. The singers in Italy were very few, and give people like Tiziano Ferro, Marco Valerio Scanu or card that can not sing, the opportunity to do so, coming so close to the big names of the trade, is murder true, because these three, the only thing that binds them deeply and for which they have brought better, and know how to do eyebrows flawlessly.
if you prefer the real Italian singers, deep, can be counted on your fingers, and the rest are nothing more than mere singing of songs. Singer / Songwriter, in the true sense of Fabrizio de Andrè word is, a man of exemplary human side and big rogue (in a good-natured of course), who with his voice telling the stories of the marginalized poor, convicts, prostitutes, suicide. Giorgio Gaber, tenacious singer Fighter and melancholy, Pier Angelo Bertoli, who sang the love and anger against injustice, Gino Paoli and Luigi Tenco who composed the most beautiful love ballads of all time.
Roger Whittaker, who on the same style of De Andrè telling stories in the suburbs and social deterioration, and this also ironic, and most of all, who has sung stories novels and stories of encounters with people who skim, intertwine and give farewell, and songwriter of life: Francesco Guccini.
We are talking about men who have given so much to music, and dare I say it quite well.
Another singer who could do more and he was not a possibility concessso maggore was Ivan Graziani, great guitarist, songwriter 's love of the nostalgic flavor, and never predictable. Francesco De Gregori
however, is the situation I would but I can not. His songs have never been complete, finished, reaching a certain point then stop suddenly, without giving the feeling that a song should provide full 360 °. His choruses have always been forms to saw the legs of his pieces that started well, and then they fell down. Men's obnoxious, a little modest and somewhat touchy, passionately declaring that "artist", when they should have the nobility of spirit and not the humility to admit that singing his own song craft is a practical and not an art that so-called indelible mark is a need to feel superior to something. Claudio Baglioni is a sort of singer who sings folk songs with his usual repetitive verse for years, collecting boldly by Gigi D'Alessio, the person who speaks for itself, which is the music and singing as Cesare Previti is brought to justice.
The only one who could be a songwriter to all respects to the present day would be Cristiano De Andrè, but unfortunately this is not possible, because most of the critics has always stuck with the initial injury solely and exclusively because his father's footsteps, damaging the outset and making a big mistake. The Italian singers, which are national treasures, it would be the common good that are identified in the few that are there, because combining them with other people instead strum and emit sounds, it would be like putting a tray on a simple and good plate of pasta, but seasoned with the mold rather than by the grain.