Tuesday, January 4, 2011

Can You Sims Masterbate



I am convinced, of course, in my small way, that my generezione, those born in 1980/81, could be argued that, if grown with the help of television, to support the latter case ( at the time) an educational and interesting, and has contributed, albeit in part, to develop a language decent.
The TV era, the late 80s and early 90s, he conveyed not only beautiful programs, but also a large number of films, notably beautiful. And I do not speak only of the state broadcaster, Rai, but also the then Fininvest, Mediaset today. The neetwork Berlusconi for three different seasons, passed on the television series The boys of the third C, a show that has entertained generations, becoming a cult in his time. He also provided Happy Days, Don Tonino duo with Gigi and Andrea at that time were funny and captivated viewers with their famous gag. Not to mention Chiara and other with Alessandro Haber, Ottavia Piccolo, who was anything but vulgar, representing the average Italian family classic, with their problems to be addressed in society. I find them to be morally harmful programs such as Drive , or the TV series starring Cristina D'Avena Kiss me Licia , vulgar and abominable and horrible transportation of the famous cartoon then kick the television schedule. The most afternoons were devoted to the airing of cartoons decent, not as now, the delusions of the guests of the transmissions of Maria De Filippi Canale 5 and Monica Setta on RAI-2, broadcasts devoted to the spectators stoned and confused the smaller, you know, in front of the video are quell'orario-absorbing sclera and the bullshit of the conductors of the same studio guests. RAI broadcast transmissions in-depth journalism by reporters such as Gianni Mina, Sergio Zavoli and Enzo Biagi, Fininvest, and in turn did the same thing with Giorgio Bocca and William Zucconi. In the evening, beautiful films were broadcast at 20.30, and even at 22.30 or 23.00. We were not contaminated with the virus keeps on hitting the political shows such as Ballarò and Matrix, where the conductors are nothing but helpless in the face of powerful political lackey of the day. On Friday evening, on RAI 1, were broadcast movies / cartoons in the show Dysney Cinema set Other times, once a week, paid tribute to a great Italian when he was sent one of his films for a certain period of time. The Fininvest, Maurizio Seymandy led a column titled film is Cinema. On Telemontecarlo, Red Ronny, which is certainly not a genius, but at least understand something dealing with music, led Help daily program, which provided an opportunity for groups and songwriters emerging on television eseibirsi of getting noticed by the public and record companies. Rai produced and broadcast soap operas such as Pinocchio Luigi Comencini, and always the same director, Heart, based on the book of the writer Edmondo De Amicis Turin. In 1989 the film was broadcast tv The Betrothed Salvatore Nocito, with a great Alberto Sordi, setting a time as high level of culture that concerned the state television.
Today we are faced with the airing of broadcast afternoon when we talk of incest, betrayal, plastic surgery, depression, sex change, forgetting that at that time, millions of innocent children, followed by television, which confuses and marred their path. If once in the afternoon transmitted tree and blue Bim bum bam , today there are about two Afternoon Afternoon and five , symbols of journalism (so to speak) to die suicide murderess against less acculturated groups. Where once our kids were laughing at jokes of the films of the great and unforgettable Franco Franchi and Ciccio Ingrassia, and Bud Spencer and Terence Hill, now has to deal with cinepanettoni Cazzari, vulgar devoted to a public ignorant and illiterate that forces us to suffer the broadcast, which in itself is an affront to human dignity. They were by far much better film by Renzo Montagnani, Lino Banfi Alvaro Vitali, who at least had a story in itself and offered jokes that made her laugh.
Today, we find ourselves in the afternoon neurodeliri problems, explanations for helping to ruin our country by politicians such as Bondi and Fassino the evening, Bruno Vespa is fun and exciting in the studio to do nothing with which Giovanni Floris his feel-good smile puts in place to everybody, Alessio Vinci, which speaks for itself and the worst of the worst get worse ...
It was better when it was worse is not so much a cliché to say ...

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